Charles bukowski wife

By David Daniel

Some of the most insightful and moving parts of the biography are Neeli Cherkovski’s personal recounting of his on-again off again relationship with Charles Bukowski.

Bukowski, A Life: The Centennial Edition by Neeli Cherkovski. Black Sparrow Press, pages, $ (softcover).

When Ernest Hemingway was once asked to describe the best preparation for being a writer, he cracked, “an unhappy childhood.” Charles Bukowski stands as a testament to that truism.

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  • “Fear made me a writer,” he said,  “fear and a lack of confidence.” This year marks the centennial of Bukowski’s birth and, along with a new documentary film (Arts Fusereview) and reissues of some of his numerous books, comes this illuminating biography.

    Henry Charles Bukowski was born in in Andernach, Germany to a German mother and American G.I.

    father who’d met in WW I. When he was three, the family returned to live in Los Angeles. A sullen and lonely child, Bukowski was teased in grammar school for the slight German accent he hadn’t lost yet. His father, a strict perfectionist, beat him for minor childhood failings. As an adolescent he was afflicted with severe acne, which ravaged his face and upper torso with boils; these scars, both inner and outer, never left him.

    He had few friends and, as with many a sensitive kid, rebellion ensued.

    Collecting charles bukowski biography book

    Poems Quotes Books Biography Comments. His writing was influenced by the social, cultural, and economic ambience of his adopted home city of Los Angeles. Bukowski's work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Bukowski published extensively in small literary magazines and with small presses beginning in the early s and continuing on through the early s. He wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books during the course of his career.

    He became defiant, a scrapper, very much the rebel. Decades later he chronicled these pained, cruel years in his novel Ham on Rye.

    His discovery of the local library is probably what saved him. “The library was another world,” Bukowski said, “another people. It roared and leaped.” There he discovered writers like John Fante, Dostoevsky, and Hemingway, who showed how one could use words to make order of life&#;s pain, prompting him to undertake his own nascent efforts at writing.

    It was a long quest, full of deprivation; but once embarked upon, although he often feared Skid Row would his final destination, he went at it with determination.

    He left his unhappy homelife, traveling around the U.S., living on the cheap in New Orleans, St. Louis, and Philadelphia, working at odd jobs to pay rent, and all the while writing, collecting piles of rejection slips. Ultimately, he returned to Los Angeles, and it was there that he staked the literary turf that would be his for the next forty-plus years.

    Bukowski’s L.A.

    is not palmy La La Land. He and his characters inhabit the dilapidated, seedy districts that Raymond Chandler’s Phillip Marlowe knew: old stucco rooming houses, dive bars, and the broken-down denizens they attract. Failure continued; but, believing in himself, so did he.

    Because they came more easily, he turned from stories to poetry. His poems had a direct, street quality, hyperbolic narratives of drunkenness and harlotry told in a language that often transcended its subject.

    His verse began to find a home in the little magazines that proliferated around the county during the &#;50s; many were simple mimeographed & stapled affairs, often sloppily edited.

    By the late &#;60s Bukowski had garnered a growing renown in underground circles.

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  • This was how I first came to read him, when a fellow student at the University of Oregon told me about his newspaper column, Notes of a Dirty Old Man, in an L.A. weekly newspaper. “You’d like him,” he said, “he’s no b.s.” Over the ensuing years I read a lot by the man dubbed the poet of Skid Row, admiring his tough, deadpan style, but seeing, too, that his spirited celebration of the ordinary was in the lineage of Whitman and Sandburg.

    Bukowski, A Life paints a rich portrait of its flavorful subject, who chose to be an outsider, living in furnished rooms, driving worn-out cars, working at dead-end jobs that he’d invariably quit or be fired from.

    He eventually settled into the tedious routines of the Post Office. But, as he proclaimed early on, “When I decided on this writing game, it meant blood on the line.” He persevered.

    He believed that writers are made, not born, and so, with beer and smokes and classical music on the radio, he would sit down at his “typer” and work, taking all his hard luck days as the building blocks for his art and producing prodigious amounts of work.

    Eventually, he attracted enough readers; in the early &#;70s he could finally quit the Post Office. As with the death of his father years before, he experienced a sense of freedom, of a two-ton weight taken off his shoulders.

    Bukowski’s most inspired creation is himself &#; often in the form of his alter ego, Henry Chinaski,  protagonist of most of his stories and novels.

    Cynic, lover, fighter, loser, survivor, Chinaski has heart.

    Charles Bukowski &#; nothing if not determined. Photo: Wiki Commons.

    The themes of Bukowski’s writing break along natural fault lines and clashing power differentials: landlord/renter, boss/worker, man/woman. He saw it as his cultural role to be on the margins, an underdog, a voice for the dispossessed.

    His ethos, if he can be said to have one, is a rejection of the grinding forces of conformity and middle-class values that he’d witnessed as a youth.

    Biographer Neeli Cherkovski does justice to this commitment to rebellion. A well-regarded California poet and critic, he brings an insider’s familiarity, having been Bukowski’s friend for many years.

    With that access, including hours of their taped drinking sessions, he does a skillful job with the background details, the years of struggle, growth, and success.

    Collecting charles bukowski biography wikipedia After moving to America with his parents just before he turned three, his parents began calling him by the anglicized version of his middle name, Charles, in an effort to help him become assimilated into American culture without becoming confused with his father, who had the same name. Many of his works relate to his abusive father and his acquiescing mother, and most, if not all, show an honesty of life that many other poets and authors were reluctant to put into words. His most famous works were Post Office and Ham on Rye, with poetry including. He passed away from leukemia on March 9, in Los Angeles, California. He began writing poetry at the age of 35 after a hospital stay for a near-fatal bleeding ulcer, but he had already published numerous stories and novels.

    Some of the most insightful and moving parts of the narrative are Cherkovski’s personal recounting of his on-again off again relationship with the writer, which has the poignancy of personal memoir. To his credit, Cherkovski doesn’t spare us the writer&#;s dark parts, noting Bukowski’s sometimes loutish behavior: exposing himself outside a theater in LA’s tony Westwood Village, abusing friends, being possessive and jealous with lovers, and the hangovers and the puking.

    One important element the book is missing is a photo section with views of the key characters in Bukowski’s life.

    Bukowski’s last novel, Pulp, was published in , the year of his death. By that point Bukowski had enjoyed ever-growing acclaim and readership.

    Collecting charles bukowski biography Charles Bukowski, sometimes called the last Beat poet, is a character that can inspire hatred, revulsion, or fierce admiration. The epitome of the writer's stereotype; a drunkard with poor impulse control; Bukowski lived his philosophy honestly - perhaps too honestly! Bukowski was, and remains, an important counter-cultural figure to many, being a poet, novelist, and short story writer of the new left, the hippie movement, and even the burgeoning punk scene of the late sixties to seventies. His work documents the dark underbelly of the American Dream from the Nuclear fifities, through the intense cultural upheaval of the sixties, to the economic progress and class conflict of the seventies. Like the Beat poets, Bukowski kept his focus always on the working poor, the disenfranchised, and the unwanted in society.

    He had begun to mellow. He never won any major literary awards, and wasn’t formally canonized, but the very fact of his being subject of a half dozen biographies suggests how his work still has the power to engage readers across generations. There is something very American in the arc of his story. Still, it begs the longer-term question: will he endure?

    Charles bukowski books: Bukowski had lived the life of a skid row alcoholic until he was treated for an ulcer problem in He replaced his excessive drinking with writing poetry, and published the poetry collection Flower, Fist, and Bestial Wail in Bukowski went on to write novels, short stories, and more poetry.

    I think so. In his novel Factotum, Bukowski observes that: when you’re in a bar, drinking, the world doesn’t go away. It’s still out there, but for the moment at least, it doesn’t have you by the throat. His books will offer future readers this hardscrabble vision, with its bittersweet solace, its sympathetic understanding of just how much survival takes out of you.

    Charles bukowski quotes His writing was influenced by the social, cultural, and economic ambience of his adopted home city of Los Angeles. Bukowski published extensively in small literary magazines and with small presses beginning in the early s and continuing on through the early s. He wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books during the course of his career. As noted by one reviewer, "Bukowski continued to be, thanks to his antics and deliberate clownish performances, the king of the underground and the epitome of the littles in the ensuing decades, stressing his loyalty to those small press editors who had first championed his work and consolidating his presence in new ventures such as the New York Quarterly , Chiron Review , or Slipstream. In , Time called Bukowski a " laureate of American lowlife".

    “When people read me,” he said, “I want to think of them as not reading literature but actually participating in life.”

    Almost forty years after my classmate recommended Bukowski to me, telling me he was “no b.s.” I used almost the exact same line when I gave my copy of Post Office to a Viet Nam vet postal worker I know.

    A few days later, he told me he’d loved the novel and had already ordered more of Bukowski’s titles. It’s the kind of working class homage Bukowski would have loved.


    David Daniel is the author of more than a dozen books, including White Rabbit, a novel set in San Francisco in the Summer of Love, and four entries in the prize-winning Alex Rasmussen mystery series.

    His most recent book is Inflections & Innuendos, a collection of flash fiction. He has been the Jack Kerouac visiting writer in residence at the University of Massachusetts, Lowell