Ida lupino biography 1941
A very independent streak
Acting in such films as “Out of the Fog” (), “The Sea Wolf” (), “High Sierra” () and “Road House” (), Ida Lupino became a role model for future generations of actresses playing tough, independent women.
But it was as a director that Lupino blazed new trails, becoming the only notable female filmmaker of her era in Hollywood.
Bristling under the Hollywood studio system, she and her then-husband, Collier Young, set up an independent production company, Filmmakers, at RKO Studios in the late ‘40s. Over the next few years, Lupino directed and co-produced -- and in some cases wrote -- six low-budget B films that explored such socially conscious topics as unwed motherhood (“Not Wanted”), rape (“Outrage”) and bigamy (“The Bigamist”).
(Elmer Clifton is listed as director of the film “Not Wanted.” But he took ill three days into the production; Lupino directed the film uncredited.)
For the record:
a.m. Oct. 16, For The Record
Los Angeles Times Wednesday October 16, Home Edition Main News Part A Page 2 : Y 6 inches; words Type of Material: Correction
Lupino’s eye color -- An article about actress and director Ida Lupino in Tuesday’s Calendar mistakenly said that she had brown eyes.
Sterling hayden biography
British-born actress, singer, director, and producer Ida Lupino cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night , High Sierra , and Road House , she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a bold decision for a woman of the era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system.She had blue eyes.
“She was electric,” says Sally Forrest, whom Lupino discovered and directed in three films, including “Not Wanted.” “She never had the popularity she should have had. She was a fine actress. She was beautiful. She had a fabulous figure and was a great director. Maybe she was too strong for those days.”
As an actress, Lupino often got roles that were turned down by another tough gal, Bette Davis -- but if it weren’t for Davis, the UCLA Film & Television Archive probably wouldn’t be celebrating Lupino’s acting and directing career with a three-week tribute that begins Saturday.
During the s, the lithe British actress with the big brown eyes was under contract to Warner Bros., where she always played second fiddle to Davis, the studio’s grande dame.
“They gave Bette Davis first choice of all the parts Ida wanted,” recalls actress Mala Powers, who starred in the Lupino-directed “Outrage” in “Then they would hand something to Ida she didn’t want to play.
So she would take a suspension -- she couldn’t work anywhere else during suspension, so she would go on the sets of movies.
Ida lupino biography 1941 willys British-born actress, singer, director, and producer Ida Lupino cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night , High Sierra , and Road House , she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a bold decision for a woman of the era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system.Most of the directors knew her and liked her, and she’d watch them direct.”
And she would tell the directors she wanted to learn the craft. “She’d say, ‘Chum, I’d really like to learn about all of this.’ So she’d sit there and watch. And the cameraman would say, ‘Come over and look at this’ -- this is what the shot would be.
So she learned to direct on her suspension times.
I often wondered what my destiny would have been had I never met her.”
For UCLA’s Andrea Alsberg, curator of the film festival, Lupino is “just an amazing figure both for her acting and for the direction of these films that sort of came out of nowhere. There is nothing else like them. When did you see a film about rape or bigamy?
She took on these challenging social dramas.”
Alsberg acknowledges these films may seem a bit tame now, but they were quite brave in their day because of what Lupino had to do “with the censorship board and Howard Hughes [who owned RKO] and anybody else who was involved in green-lighting the films.”
Lupino stated when she began her company that she wanted to make films that were about something -- “not about faces or stars,” Alsberg says.
“I think Sally Forrest and Mala Powers are interesting figures because they are her stand-ins. They really do resemble her in a way. She said she cast actresses for two reasons -- personality and large eyes.”
Born in London in , Lupino was from a famous family of entertainers that could be traced back to the 17th century.
At 13, she entered the Royal Academy of Dramatic Art and made her film debut. At 14, she got her first starring role in “Her First Affaire.” The following year she came to Hollywood, where she appeared in a series of forgettable films at Paramount, usually in the ingenue role.
Her big break came in when she appeared opposite Ronald Colman in William Wellman’s “The Light That Failed” as an embittered streetwalker called Bessie Broke.
Ann sheridan biography Ida Lupino 4 February [ 1 ] — 3 August was a British actress, director, writer, and producer. Throughout her year career, she appeared in 59 films and directed eight, working primarily in the United States, where she became a citizen in She is widely regarded as the most prominent female filmmaker working in the s during the Hollywood studio system. Among Lupino's other directed films, the best known are Not Wanted , about unwed pregnancy she took over for a sick director and refused directorial credit ; Never Fear , loosely based upon her own experiences battling paralyzing polio; Outrage , one of the first films about rape; The Bigamist , and The Trouble with Angels Her short yet immensely influential directorial career, tackling themes of women trapped by social conventions, usually under melodramatic or noir coverings, is a pioneering example of proto-feminist filmmaking.Warner Bros. was so impressed with her turn that they gave her a contract. While at the studio, she built a reputation for professionalism and intelligence. “I think, ultimately, directors preferred her over Bette Davis,” Alsberg says. “She was a star, but without the star’s attitude.”
Forrest and Powers say that Lupino was an exceptional director.
Ida lupino filmography: Ida Lupino (4 February [1] – 3 August ) was a British actress, director, writer, and producer. Throughout her year career, she appeared in 59 films and directed eight, working primarily in the United States, where she became a citizen in
“She was so knowledgeable in every area,” Forrest says. “She was wonderful with actors. She was the best I ever worked with. She was completely understanding and knew exactly what she wanted and how to explain it.”
Powers, who is the co-executor of Lupino’s estate -- the actress died in -- says that as a director she was very protective of her performers, “so you dared to be wrong because if you did anything wrong, she [wouldn’t] print it.”
Lupino’s marriage to Young broke up early into their partnership, and their company came to an end in the mid-’50s.
Lupino then segued into a successful career as a TV director.
She did direct one last feature, the Rosalind Russell-Hayley Mills comedy “The Trouble With Angels,” about two unruly teenagers sent to a convent school. “It’s very different from the other films,” Alsberg says. But, she adds, Mills’ character is just as much an outsider as Forrest’s in “Not Wanted.”
Noted Alsberg: “I think that her interest was in exploring the lost, the disenfranchised and the outsiders, and that continued all the way through her career.”
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(BEGIN TEXT OF INFOBOX)
“Ida Lupino--Hard, Fast and Beautiful”
When: Saturday to Nov.
3.
Where: James Bridges Theatre at UCLA.
Price: Admission is $7; $5 for students, seniors and UCLA Alumni Assn.
Howard duff But it was as a director that Lupino blazed new trails, becoming the only notable female filmmaker of her era in Hollywood. She had blue eyes. She was a fine actress. She was beautiful. She had a fabulous figure and was a great director.members with ID. Kids’ Flicks admission is $5 for all ages.
Saturday: “Not Wanted” and “Never Fear” at p.m.
Sunday: “They Drive by Night” and “The Sea Wolf” at 7 p.m.
Oct. “Outrage” and “Hard, Fast and Beautiful” (Mala Powers is scheduled to appear) at p.m.
Oct. “High Sierra” and “Deep Valley” at 7 p.m.
Nov.
2: “Road House” and “The Light That Failed” at p.m.
Nov. 3: “The Trouble With Angels” at 2 p.m.
Nov. 3: “The Hitch-Hiker” and “The Bigamist” at 7 p.m.
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