Mozart biography personality

Mozart

From Library Journal

Solomon (music, Stonybrook Univ.

Bruce mozart biography amazon prime A portrait of Wolfgang Amadeus Mozart that will give pleasure to and increase the understanding of old Mozart hands as well as those reading for the first time about the man. Like his latest subject, Johnson never strikes a false note. A delightful, concise read. It's fun—like listening to Mozart is. To learn about the life of such a remarkable musician is a treat and a privilege.

and Harvard) follows up his well-received Beethoven (LJ 11/15/77) with another ambitious biography. The author explores Mozart's life and works with a wealth of facts that were culled from 18th-century sources as well as from the most recent scholarship. Mozart and his family emerge in a new light from this mass of well-chosen detail through Solomon's own convincing interpretation of events and relationships.

Appropriate musical and pictorial examples, which will appeal to both scholarly and casual readers, accompany the text. The author closes the book with an impressive, well-annotated bibliography and indexes of Mozart's compositions by Kochel number and by common name. Recommended for music collections in both academic and public libraries. [BOMC main selection; previewed in Prepub Alert, LJ 11/1/]-James E.

Ross, Seattle P.L.
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From Booklist

Solomon writes three kinds of book about Mozart: a chronicle of his life and compositions, a psychoanalysis, and a study of his music. Wolfgang's father, Leopold, depended on his son's musical skills to provide for the family.

But Wolfgang rebelled, leaving Salzburg for Vienna, where he lived--somewhat beyond his means--teaching, composing, and performing for the elite. Leopold never forgave him. Wolfgang, however, needed the love of his family more than anything else to overcome recurring melancholia. The family of Constanze Weber, his wife, provided this love during the last decade of his life.

Mozart generally chose to compose innovative instead of popular music, and his fortunes waxed and waned as he pursued elusive court appointments and commissions. His last major operas were the most successful financially, and they contain his yearning for approval. "His melancholia .

Mozart biography timeline: World History Biographies: Mozart: The Boy Who Changed the World With His Music (National Geographic World History Biographies) Part of: National Geographic World History Biographies (19 books) out of 5 stars.

. . a despairing cry for love," Solomon says, was never dispelled, and "in the end, music remained Mozart's primary talisman against corruption, fear, and death." Ultimately, Solomon's chronicling and psychoanalyzing are competent enough, but his musical analysis, competent or not, is tedious. Alan Hirsch

Review

"Brilliant." — New York Times Book Review

"Clearly the Mozart biography for our time." — Robert L.

Marshall, Brandeis University

"I do not know a musician's biography as satisfying and as moving as this one." — Edward W. Said, New Yorker

"Maynard Solomon writes with the grace of a novelist, the insight of a philosopher, and the precision of a detective. We come to know Mozart personally, as a musical genius, but more than that, as a living, breathing, thinking person." — Yo-Yo Ma

"This biography is a compelling read, like a good novel.

.

Mozart biography opera At Hourly History, we publish history books that are concise, straightforward and take no longer than one hour to read. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness. Customers find the book easy to read and informative.

. . Every facet of Mozart's life is here. . . . You may even weep, as I did, as you read this affecting account of his last days." — John Amis, The Times (London)

"Maynard Solomon, in his extraordinary new study, Mozart: A Life, has gone much further than any of his predecessors in humanizing his subject. .

Biography mozart music

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. . A far more realistic Mozart of flesh and blood, where musical mastery was not a gift of the gods but the life's work of a man." — Michael Walsh, Time magazine

From the Back Cover

On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.

About the Author

Maynard Solomon's books on Beethoven and his renowned writings on Mozart, Schubert, and Ives led a contributor to Music & Letters to name him "the leading musicologist-biographer of our time." His classic biography, Beethoven, has been translated into seven languages and his Beethoven Essays received the Kinkeldey Award of the American Musicological Society for best book of the year in Mr.

Solomon, who lives in New York, has taught at Columbia, Harvard, and Yale Universities.

Excerpt. © Reprinted by permission. All rights reserved.

A LifeBy Maynard Solomon

HarperCollins Publishers, Inc.

© Maynard Solomon
All right reserved.
ISBN:

Chapter One

Leopold Mozart

When Leopold Mozart died in at the age of sixty-seven, Lorenz Hagenauer's son, Dominikus Hagenauer, wrote in his diary that his father's late friend had been "a man of much wit and sagacity, who would have been capable of rendering good service to the State even apart from music," but that he "had the misfortune of being always persecuted here and was by far less beloved here than in other, greater places in Europe."1 By several accounts, Mozart's father was a hard man to like.

Nissen wrote, "In Salzburg he was regarded as a sardonic humorist."2 His acerbic and dissatisfied nature was no secret to foreign observers either, among whom he acquired the reputation of being perpetually discontented.

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  • It is important to find the sources of this discontent, for it powered his restless, unrelenting search for fulfillment and thereby became central to his family's sense of purpose and obligation.

    Leopold Mozart sprang from a family of artisans who had lived for generations in the South German city of Augsburg.

    His mother, Anna Maria Sulzer (), was the eldest daughter of Christian Sulzer, a weaver from Baden-Baden who had come to Augsburg in , and his wife Dorothea, née Baur, who was a weaver's daughter. On 1 May Anna Maria married Johann Georg Mozart (), who came from a family of artisans and masons but had chosen to apprentice himself as a bookbinder.

    The entry in the town marriage registry reads, "Johann Georg Mozer, a bookbinder, widowed, and Anna Maria Sulzer, single, both of this place; his witness Johann Georg Mozer, master mason; her witness Christian Sulzer, weaver."3 Mozart's grandfather, a master bookbinder, had succeeded to his employer's guild license by marrying his widow, Anna Maria Banegger, in ; childless, she had died earlier in Leopold Mozart was the newlyweds' first child; he was baptized Johann Georg Leopold Mozart at St.

    George's Church in Augsburg on 14 November Seven more children were born to the couple by ; three boys and two girls survived, and all but one of these lived long lives.

    The Catholic Church was the center of the Mozart family's life. They were members of the congregation of the Assumption of the Holy Virgin, the larger of two congregations run by the Marian Brotherhood in Augsburg.

    From they lived in a house in the Jesuitengasse owned by the Jesuit Order. Johann Georg sent his two oldest sons, Leopold and Johann Christian, to the nearby Jesuit gymnasium of St. Salvator, one of the region's leading seats of humanistic education, drawing its pupils from Augsburg's aristocratic and bourgeois families as well as from "people of standing" in neighboring Bavaria, Swabia, and Austria.4 Leopold, whose godfather was Georg Grabherr, a prominent churchman and canon at St.

    Peter's, was apparently intended for the priesthood. That may have been one reason he very early became a choirboy in the monasteries of Heiligen Kreuz and St. Ulrich.

    The course and content of Leopold Mozart's education is important to understand because he was to be his son's main instructor in virtually every branch of learning.

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    The St. Salvator Gymnasium offered a rigorous six-year program of instruction, followed, for those deemed capable of pursuing the study of philosophy, by a two- or three-year term in the St. Salvator Lyceum. The curriculum centered on logic, science, theology, and rhetoric; spoken and written mastery of Latin were required, as was sufficient Greek to understand the New Testament in the original.

    Students were taught mathematics and the physical sciences; it was doubtless at St. Salvator that Leopold Mozart acquired his abiding interest in telescopes and microscopes.

    An outstanding singer and proficient violinist, he participated in many of the school's annual celebratory performances, appearing in at least eight theater pieces as actor and singer between and 5 After several years of preparatory studies, which began before he was five, Leopold was enrolled as a first-year student (Principista) perhaps as early as the fall of and graduated magna cum laude in Despite his intelligence, however, he seems to have been left back for one or even two years, so that it may have taken him seven or eight years to complete the six-year course at the gymnasium.6 Perhaps he was ill, or perhaps this was an early sign of his resistance to being educated for the priesthood.

    Indeed, there is a striking mention of that resistance in the reminiscences of a schoolmate, court counselor Franziskus Erasmus Freysinger, whom Mozart met in Munich in October and who vividly recalled Leopold Mozart's Augsburg days: "Ah, he was a great fellow. My father thought the world of him. And how he hood-winked the clerics about becoming a priest!"7 Even in Leopold Mozart's later years, he often had harsh and sarcastic words for the priesthood, drawing a sharp line between his faith and those who administered it.8

    Leopold entered the St.

    Salvator Lyceum in October , but the death of his father soon thereafter, on 19 February , unexpectedly disrupted the orderly progress of his education. In June , three months before the end of his first school year, he abruptly broke off his studies at the lyceum, and on 4 August he was granted a withdrawal certificate.9 That brought him to a crossroads: he now had to decide whether to resume his education, to take some role in his father's workshop, or to pursue some other profession, perhaps in music, for which he had already shown so pronounced a talent.

    Leopold chose to resume his education, and on 26 November , after a hiatus of one year, he matriculated at the Benedictine University in Salzburg as a student of philosophy and jurisprudence."10 But his formal schooling prematurely came to a dramatic conclusion, for in September the rector expelled him from the university for want of application and poor attendance."11 His calm reaction was remarked by the authorities:

    Johann Georg Mozart, a Swabian of Augsburg, has from the beginning of the civil year hardly attended Natural Science more than once or twice, and has thereby rendered himself unworthy of the name of student.

    A few days before the examination he was called before the Dean and informed that henceforth he would no longer be numbered among the students.

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  • Having heard this sentence, he offered no appeals, accepted the sentence, and departed as if indifferent: therefore he was not called for further examination.12



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