Brassai photos of matisse works of nature
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Hungarian-born Brassaï moved from Berlin to Paris in , where he remained for the rest of his life. There, he became acquainted with many artists of the day, including Picasso, Salvador Dalí and Henri Matisse.
Brassai photos of matisse works of art In this monochromatic photograph, the viewer is presented with a serene and contemplative scene featuring an elderly man, presumably the artist Henri Matisse, seated in his studio. The man is depicted in a pensive pose, holding a thoughtful expression as he engages with his surroundings. The room is sparse yet elegant, with high ceilings and minimal decor, accentuating the tranquility and focus of the depicted individual. A large curtain softly diffuses the natural light, adding a gentle, almost ethereal quality to the interior. The presence of a few pieces of furniture and tools associated with the studio environment evokes a quiet atmosphere of creativity and introspection.Brassaï is most well-known for his images of Parisian life, depicting brothels, prostitutes, city streets, architecture and high society alike. However, he also photographed his artist friends, often in their studios or with their work. This photograph depicts the famous Post-Impressionist painter Henri Matisse at work in his studio, drawing a plant from life.
These images provide a rare insight into the habits and practice of these twentieth century masters, whose doors were not always open to this kind of personal documentation.
Object details
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| Materials and techniques | Gelatin silver print |
| Brief description | Photograph by Brassaï, 'Henri Matisse dans son atelier' [Henri Matisse in his studio], Paris, , gelatin silver print |
| Physical description | Black and white photograph of a man with white hair and a white beard, wearing glasses and white overalls over checked dark trousers. He is seated in front of a leafy plant, which he is drawing in a pad on his lap. |
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| Marks and inscriptions | Top centre, pencil: 23x30 A' Centre, pencil: '50 x 60' Bottom centre, stamped in purple ink: '© by BRASSAÏ / 81, Faubourg St-Jacques / PARIS 14eme Tél.
' Bottom right, stamped in purple ink: '© by BRASSAÏ / 81, Faubourg St-Jacques / PARIS 14eme Tél. ' Bottom, black ink: 'Matisse dans son atelier / A' Bottom right, stamped in black ink: 'SUCCESSION / BRASSAÏ / ESTATE' |
| Credit line | Bequest of Gilberte Boyer Brassaï |
| Object history | This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer. |
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| Summary | Hungarian-born Brassaï moved from Berlin to Paris in , where he remained for the rest of his life. There, he became acquainted with many artists of the day, including Picasso, Salvador Dalí and Henri Matisse. Brassai photos of matisse works You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early. Not on view. Lydia Delectorskaya met Henri Matisse in Nice in and became his primary model, muse, secretary, studio assistant, and close friend until his death in Here, at age seventy, Matisse paints her in the charming Paris studio lent to him by the American sculptor Mary Callery.Brassaï is most well-known for his images of Parisian life, depicting brothels, prostitutes, city streets, architecture and high society alike. However, he also photographed his artist friends, often in their studios or with their work. This photograph depicts the famous Post-Impressionist painter Henri Matisse at work in his studio, drawing a plant from life. These images provide a rare insight into the habits and practice of these twentieth century masters, whose doors were not always open to this kind of personal documentation. |
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| Accession number | E |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images.
Brassai photos of matisse works of architecture It belongs to the Surrealist art movement and is a photographic genre piece. At the center, a nude model poses gracefully, her posture suggestive of classical inspiration, her arms raised as she rests them on her head. Seated nearby is the artist, depicted in the act of sketching or observing, his focus seemingly directed at capturing the essence of his subject. The studio is furnished with various elements including a wicker chair and floral arrangements, adding a certain texture and realism to the scene. The monochromatic tone of the photograph augments the contrast and depth, enhancing the overall aesthetic and evocative quality inherent in Surrealist influences.It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
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